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The two singles put out up to now by the group Ashnymph are hard to categorise: the band's own tag of their music as “subconscioussion” doesn’t offer many clues. The first single Saltspreader blended a heavy mechanical drumming – bandmember Will Wiffen has at times appeared on stage sporting a shirt that bears the logo of Godflesh, icons of industrial metal – with old-school electronic keys and a guitar line that vaguely recalls the Stooges’ garage rock perennial I Wanna Be Your Dog, before dissolving into a mass of eerie audio. Its intended effect, the group has mentioned, was to suggest road trips, “the endless movement of vehicles 24-hours a day over vast spans … amber lights after dark”.

The next release, Mr Invisible, occupies a space between club music and experimental rock. On one hand, the track’s rhythm, layers of hypnotic electronics, and lyrics that appear either psychedelically smeared or hypnotically looped in a way that evokes Dubnobasswithmyheadman-era Underworld all point towards the club floor. Conversely, its forceful live-sounding dynamics, edge-of-chaos quality and overdrive – “getting that crisp distortion is a long-term goal,” Wiffen has said – distinguish it as very much the work of a band rather than a bedroom-bound producer. They've performed around the self-made music community of south London for a short time, “anywhere that will turn the PA up loud”.

But each is thrilling and unique – mutually and anything else around at the moment – to prompt questions about the band's future direction. Regardless of the form, on the basis of these two singles, it’s probably not dull.

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